“A Film is a Petrifying Source of Thought”: Cocteau, The Orphic Trilogy, and the Essence of French Surrealism
By Kate Mulraney
Kate Mulraney (she/her) delves into the surrealist masterpiece that is Cocteau's Orphic Trilogy
Nosferatu: A Fresh Bite into Gothic Horror or a Pale Imitation?
Kate Mulraney (she/her) reviews this new horror, considering whether it holds up to the iconic original
Dreams: A Journey Through the Visionary World of Akira Kurosawa
Kate Mulraney (she/her) takes us through Kurosawa's surreal masterpiece 'Dreams'
Blow-Up: A '60s snapshot of the postmodernist transition
Kate Mulraney (she/her) explores how this sixties classic encapsulates postmodernism
Review: ‘Van Gogh: Poets and Lovers’ at the National Gallery
Kate Mulraney (she/her) discusses the National Gallery’s impressive curatorial project.
Anora: A Bold Twist on Cinderella Driven by Chaos and Volatility
Kate Mulraney (she/her) untangles the dark fairytale of Anora
Fatal Desires: Slasher Horror’s Demonisation of Sexuality Through the Blonde Archetype
Kate Mulraney (she/her) explores the depiction of blonde women in horror - the stereotypical, as well as the surprisingly subversive
“A Big Clue for the Climbing Community”: 100 Years On… Could the Discovery of Irvine’s Boot Rewrite History?
Kate Mulraney (She/Her) explorers the ethics of photographing and auctioning personal items of those lost to Everest
A Different Man: Authenticity, Identity and the Need to Belong
Kate Mulraney (she/her) reviews A24's 'A Different Man'
Repulsion: Exploring the Claustrophobia of the Female Experience
Kate Mulraney (she/her) examines the theme of claustrophobia in Roman Polanski's psychological horror 'Repulsion'
