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	<title>Nouse.co.uk &#187; Joesfine Baark</title>
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	<description>Award-winning University of York Student Newspaper and Website</description>
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		<title>Jack and the Beanstalk</title>
		<link>http://www.nouse.co.uk/2008/12/20/jack-and-the-beanstalk/</link>
		<comments>http://www.nouse.co.uk/2008/12/20/jack-and-the-beanstalk/#comments</comments>
		<pubDate>Sat, 20 Dec 2008 19:24:17 +0000</pubDate>
		<dc:creator>Joesfine Baark</dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Web Exclusives]]></category>

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		<description><![CDATA[The pantomime, Jack and the Beanstalk, performed at the Grand Opera House York this December was everything you expect a small town panto to be. ]]></description>
			<content:encoded><![CDATA[<p><strong>Production:</strong> Jack and the Beanstalk<br />
<strong>Venue:</strong> Grand Opera House<br />
<strong>Rating:</strong> ***</p>
<p>The pantomime, Jack and the Beanstalk, performed at the Grand Opera House York this December was everything you expect a small town panto to be. The word that best describes all the things that made it worth watching is probably ‘cute’. The child dancers were cute, the dialogue was cute, and the actors certainly attempted to be cute. ‘Funny’, however, is not a word that comes readily to mind.</p>
<p>This panto was mainly aimed at children and it was the younger audience that threw themselves enthusiastically into shouting the classic “oh yes he did”. However, it should be a good indication that even some children failed to laugh at the jokes. The comedy proved especially poor halfway through the performance, with a prolonged racist joke about the Chinese casting a sinister shadow over the jovial mood. </p>
<p>The costumes were entertaining, though not always in good taste. Tilly’s costumes, in particularly, were fabulous and amusing. The outfit inspired by a cow improved an otherwise average scene, and the gigantic bees affixed to another dress were very impressive.  The dancers’ costumes were also remarkable, although in the final scene it looked as though the cast had been plucked straight from a low-end burlesque club. However, this was marginally better than the dance opening the second act, where the girls were dressed in short-shorts, fishnets and very little else. Worthy of their own panto, because of the near-hurricane they generated at each flutter, were the good fairy’s eyelashes. I am impressed that she managed to keep her eyes open. </p>
<p>Also very visually stimulating was the growing beanstalk and the giant, who was actually gigantically large. However, it must be said that the child dancers kept time better than the adults, and that much of the singing was pitched at a height where only dogs could hear it. However, from what I did manage to hear, the songs were well chosen popular classics. The inspirational message in the theme song was soppy but appropriate for the children in the audience.</p>
<p>Jack and the Beanstalk is aimed at children and they did seem to enjoy it. However, anyone over the age of ten must have an infantile inclination to go and watch this. Though not funny, this pantomime was most definitely fun</p>
<p><em>Jack and the Beanstalk is showing at the Grand York Opera House until 31st January</em></p>
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		<title>A View from the Bridge</title>
		<link>http://www.nouse.co.uk/2008/11/14/a-view-from-the-bridge/</link>
		<comments>http://www.nouse.co.uk/2008/11/14/a-view-from-the-bridge/#comments</comments>
		<pubDate>Fri, 14 Nov 2008 15:28:07 +0000</pubDate>
		<dc:creator>Joesfine Baark</dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Web Exclusives]]></category>

		<guid isPermaLink="false">http://www.nouse.co.uk/?p=5699</guid>
		<description><![CDATA[The smell of cigarette smoke wafted out of the entrance to the drama barn. This boded well for a production of 1950s play, a decade notorious for chain-smoking. “A View from the Bridge” by Arthur Miller, is supposedly based on a true story and this production engaged that very effectively.]]></description>
			<content:encoded><![CDATA[<p><strong>Event:</strong> A View from the Bridge<br />
<strong>Venue:</strong> Drama Barn<br />
<strong>Ratings:</strong> ****</p>
<p>The smell of cigarette smoke wafted out of the entrance to the drama barn. This boded well for a production of 1950s play, a decade notorious for chain-smoking. “A View from the Bridge” by Arthur Miller, is supposedly based on a true story and this production engaged that very effectively. </p>
<p>From the first, the audience was drawn into the languid atmosphere of anticipation of Miller’s setting, produced through the two stereotypical individuals playing cards on the stage before the play began. However, the stereotypes gave way to characters played with such conviction and emotion that the reality they created onstage was inescapable. In particular,  Danie Linsell, who played Beatrice, was outstanding in her character development and her ability to sustain her American Italian accent so successfully. Unsurprisingly, some of the other actors found the accent difficult to sustain, however this mattered little in engaging the audience’s emotions and the performance drew many laughs. The inflection of emotions in the actors’ voices, especially James Wilkes, might even have drawn tears, if they had not so often been turned away from the audience at crucial points in the play.</p>
<p>In general, the set was meticulous in its 1950s details as were the costumes and the music. However, the graffiti’ed walls seemed completely incongruous, mainly because the rest of the performance worked so smoothly. With fast scene changes, evocative lighting and extremely well chosen records, that this attempt to bring the play into modern times was incompatible. The play’s universal, timeless appeal lies in its themes of loyalty and love and needs to be set wholeheartedly in one time period. </p>
<p>This performance was not flawless. However, I will venture to claim that it was pretty close to it.</p>
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