What’s On

By Amy Scott and Amy Milka — January 23, 2007

Meditainment
A therapeutic cinema experience
19 – 25 January
City Screen

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What’s on in December

By Amy Scott — November 28, 2006

Other Side Comedy Club
Every Sunday, 7.30 for 8.00 start
City Screen Basement Bar
Acts including Steve Day, Dan Atkinson and Silky’s Christmas Baubles.
Entry: £8 or £7 in advance, student discount available

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Amy Scott, Helen Citron and Molly Bird check out some on-campus theatre

By Amy Scott, Helen Citron and Molly Bird — November 28, 2006

This autumn has seen an impressive array of theatrical productions on campus, from the Drama Barn to the University’s Music department. Dead Meat looked as if it would win the mantle of Most Unlucky Production (until the cancellation of The Fire Raisers), with its final night postponed due to an injured actress and the lead [...]

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Who’s Afraid of Virginia Woolf?

By Amy Scott — November 7, 2006

Amy Scott is grabbed by Who’s Afraid of Virginia Woolf? in the Drama Barn.

The Drama Barn’s first production of the year got off to an appropriately dramatic start. Having failed to obtain the rights to the play during the rehearsal process, it seemed like James Spinney’s production of Who’s Afraid of Virginia Woolf? would have to be performed for free in the Dixon Drama Studio in the faraway land of Wentworth.

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Shakespeare in the Park

By Amy Scott — June 27, 2006

Amy Scott braves the turbulent elements for some Shakespeare in the Park , while our book reviewers come up with three summer reading suggestions for the beach

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Tom Stoppard’s Travesties at the Drama Barn

By Amy Scott — March 14, 2006

Amy Scott enjoys a revolt at the Drama Barn, despite a few technical hitches along the way

Tom Stoppard’s Travesties, directed this term in the Drama Barn, by Francesca Seeley, presents a hypothetical meeting between James Joyce, Lenin and Tristin Tzara in Zurich, 1917. Events are re-told by the aging Henry Carr, who was immortalised in Ulysses by Joyce after a court case revolving around his involvement in a production of The Importance of Being Earnest.

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