On the Arts Trail

by Amy Milka | October 11th, 2007

Amy Milka discovers York’s cultural side.

Prophetess Libuše and Other Czech Fairytales

by Chris Shaw | December 4th, 2007

An adaptation of Czech fairytales thus seems a stark departure from the RDT’s usual repertoire, but the company clearly strove to broaden the work’s appeal by exploiting the comic potential of the tales.


Book Reviews


The Book of Lost Things - John Connolly

by Steven Ward | October 11th, 2007

Consumed by grief following the death of his mother and his father’s remarriage, twelve-year-old David seeks refuge in fairytales.

The Secret History - Donna Tartt

by Helen Citron | October 11th, 2007

The Secret History charts the ‘freshman’ year of Richard Papen, a small-town scholarship boy at an exclusive New England college called Hampton.


Prophetess Libuše and Other Czech Fairytales

by Chris Shaw | December 4th, 2007

An adaptation of Czech fairytales thus seems a stark departure from the RDT’s usual repertoire, but the company clearly strove to broaden the work’s appeal by exploiting the comic potential of the tales.

Arsenic and Old Lace

by Alicia Walters | November 27th, 2007

Joseph Kesserling’s Arsenic and Old Lace was set in a quaint Brooklyn living room. As the narrative progressed it became clear that this was merely an ironic façade;


Exhibition: Spring Show

by Kirran Shah | June 1st, 2007

venue: king’s manor
date: 10/03/07-17/05/07

If you missed Heather Niven and Rosalind Walker in Langwith College’s Norman Rea Gallery earlier this year, you may well be pleased to know that the pair will continue to exhibit in York.

Exhibition: Henri Fantin-Latour

by Kirran Shah | June 1st, 2007

venue: York art gallery
date: 26/04/07-23/09/07

This summer, York Art Gallery has obtained loans from the National Gallery, the Tate and the Victoria and Albert Museum for its new exhibition, ‘Painting the Summer: Henri Fantin-Latour’.

Lear’s daughters, Drama Barn

by Helen Citron | June 1st, 2007

Rating: ★★★★☆

Dramasoc’s run began this term with a production of Lear’s Daughters. The play is the result of a collaboration between Elaine Feinstein and The Woman’s Theatre Company.