As I boarded my flight to Singapore nearly 6 months ago from, I really didn’t consider the possibility I’d end up sitting at an indie music festival next to one of the world’s most futuristic looking hotels and a collection of solar powered man made ‘super trees’. A sensational lineup, ultramodern setting and Singapore’s warm breezy weather resulted in a very chilled yet vibrant break from the stresses of city life here.
This is the 4th year St Jerome’s Laneway Festival has returned to Singapore with acts from previous years including big names such as Bat for Lashes, Kings of Convenience, Gotye, Alt-J and many more. Aside from the usual UK, Aussie and American acts, this year took an interesting turn with the addition of some local talents. Vandetta, the Observatory and Gema undoubtedly brought a welcome twist to the lineup.
The Jezabels, a four piece band from Sydney unknown to me before, were one of the earlier acts which set the tone for the day ahead. Hayley Mary’s distinct rich vocals demanded attention from throughout the meadow and became a crowd favourite almost instantly. XXYYXX’s explosive set did not disappoint, preventing the daylight hindering the atmosphere by the cloud tent. Unfortunately UK act Mount Kimbie’s performance later in the day felt lacking in consistency and proved a little too experimental at times.
Due to an unfortunate injury Gabrial Winterfield of Jagwar Ma was unable to perform, yet Jono Ma fulfilled the task of keeping the crowd entertained with his impressive DJ skills. As the night fell Haim’s stage presence was astoundingly electrifying, especially during their rendition of their hit single ‘The Wire’. Having read so many positive reviews of Jamie xx live, I was worried I may had raised my expectations too high, thankfully my expectations were not only met but in fact exceeded. Jamie xx proved to be a true master of sound, opening with Motown inspired beats with the rest of the set continuing to be varied and infectious.
As the evening came to a close, the Mercury prize 2013 winner James Blake was the final act left to perform. Blake’s haunting vocals pierced through the crowd, readily complemented by a stirring selection of electric rhythms making for a memorable performance . Any doubts I had that songs such as ‘I Never Learnt To Share’ would not translate well onto stage were completely eradicated with all songs sounding as good, if not better on stage.
Although many continue to slate live music as being far from the quality of the recorded sounds we listen to everyday, the acts at laneway festival are another example of how the stage can bring another definition to their music. After being disheartened by various nights out in Singapore with questionable club music and uninspiring live events, the Laneway festival has restored my faith that good music can be appreciated anywhere, even to audiences as far as those in Southeast Asia.